Sheet Music arşivleri - Page 2 of 2

Jazz Composition – 2

The piece has a soli section, 2 motives with an intro, outro and developments . Each part builds on each other. Harmonic tension and resolution are used to create a narrative. Intro: Gbm11 | Em7-add11 | A7+5-9 | Dm9 | Dm6/C | Dm6/F the first chord gives a minor and mysterious tone. Em7add11 adds a suspended quality. A7+5-9 provides tension…

Jazz Composition

The piece has an A-B-A-C structure with an intro and outro. Each part builds on each other. Harmonic tension and resolution are used to create a narrative. Intro: C9sus4 – A#9sus4 – A#m7add11 – G#m7 The introduction part has suspended and extended chords to create a sense of openness. C9sus4 and A#9sus4 create an unresolved tone. A#m7add11 and G#m7 introduce…

The Analysis of One Summer’s Day

The Analysis of One Summer’s Day One Summer’s Day contains two main melodies—A and B. • This composition uses the technique of thematic transformation— introduction, A, bridge, B, A1, B1, A2, and the ending. • It has ninety-three measures. • The tempo is quarter note = 80. • The whole composition is approximately 5.40 minutes…

Fugue Composition

Original fugue composition exploring contrapuntal techniques, voice independence, and thematic development.

Brass Quintet

Original brass quintet composition featuring traditional harmonies, melodies, and textures.

Contemporary Transcription

This project is a transcription of an avant-garde composition, capturing unconventional melodic lines, harmonies, and rhythmic structures. The transcription focuses on accurately representing the experimental aspects of the piece while maintaining clarity for analysis and performance purposes. This work demonstrates my ability to analyze, notate, and interpret contemporary. I used Dorico for made this.

SATB Project

This SATB choral project is a four-part vocal arrangement exploring traditional harmonies and voice leading. Each part Soprano, Alto, Tenor, Bass is written to create rich harmonic textures while allowing melodic independence.

Free Counterpoint

For this piece, I picked a modal melody outside the common C major, C minor, and A minor scales wanted something a bit different and interesting. I turned it into a Cantus Firmus, but not boring old whole notes: I gave it some 16th-century-style rhythmic variety, so it flows naturally and keeps things lively. Then…

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Let's work together!
Just drop me a line - Contact